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canon c500 mark ii vs sony fx9

november 30, 2020 Geen categorie 0 comments

Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems. But it should be blatantly obvious by now that the Sony FX9 and Canon C500 Mark II are meant for two different markets. Are Angenieux EZ Zoom Lenses a Documentary Filmmaker’s Dream. It also has a hot shoe mount on top for additional audio modules if necessary: These give you an additional two channels of XLR audio and the kit comes with a shotgun microphone as well. Both can be used by a single shooter, but the FX9 is more friendly for all kinds of video work when you are a one-person operation. Factor in everything and the C500 Mark II is still a few thousand dollars more expensive. So you can actually knock $1,000 off the price difference! If I had to pick just one winner, I’d pick the Canon C500 Mark II. Their 35.7 x 18.8 mm sensor is also equipped with fifteen stops of dynamic range. The somewhat comparable Sony FX9 is $11,000. Those who are purchasing the Sony FX9 and Canon C500 Mark II are mainly into documentaries, corporate videos, commercials, high-end weddings and maybe the occasional short or feature work. Im excited for the c500ii, but i dont know if i can justify the price and im not sure if i need internal raw. Higher frame rates are available but in lower resolutions. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. How to Import and Work with Blackmagic RAW files in DaVinci Resolve and RAW Player. For me the Canon C500 Mark II strikes a great balance here. The C500 Mark II is capable of 60 fps at a full 4K resolution (unlike its predecessors), as is the FX9. They compare several aspects of both cameras – for instance, the lens mounts, color science, autofocus, and image stabilization. Very good point! Thanks for watching! In the second half, Damian talks with PVC contributor and camera reviewer Brian Hallett about his thoughts on the Sony FX9 and the Canon C500 Mark II. ibc footage full frame hands-on IBC 2019 FX9 Sony FX9. Click below. The asterisk there is that Sony claims 6K, but the sensor is actually a downgraded version of 6K that gives the user an upgraded 4K look that is more crisp than other 4K’s seen. By then the price will have dropped a bit too! If the image quality compares to the footage shot by Russel Carpenter on Canon’s C700 promotional film ( whose sensor it shares ), I may very well invest in this system. The latest FDTimes 96-page IBC-September Edition. You have three choices: I really don’t see the point of the V50. 3. Filmmakers Philip Bloom, Nino Leitner, and Hans von Sonntag discuss the new full-frame cinema cameras – the Canon C500 Mark II and the Sony FX9. The two most exiting camera just announced – Canon EOS C500 Mark II and Sony PXW-FX9! I don’t think that the autofocus in the C500 II will outperform the FX9. For these solid reasons: ^Depending on the frame rate. Filmmakers Philip Bloom, Nino Leitner, and Hans von Sonntag discuss the new full-frame cinema cameras – the Canon C500 Mark II and the Sony FX9. Here are the official videos from the respective companies. Like other websites In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Dynamic Range Result of the Canon C500 Mark II at ISO 800 Please have a look at how we test dynamic range of cameras here . Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Buy Canon Cinema EOS C300 Mark II Camcorder Body with Touch Focus Kit (EF Mount) featuring Super 35mm CMOS Sensor, 4K, 1920 x 1080 60/50i, 23.98/25p, 24p, Canon XF AVC H.264 Codec, EF Lens Mount, Dual-Pixel CMOS AF Technology, 4" LCD Touchscreen with Mounting Kit, 2 x 3G-SDI Outputs, 2 x XLR Inputs, 2 x CFast Card Slots, Timecode I/O, Genlock In & Sync Out, Canon Log 3 … It’s a no-brainer, really. Exclusive Bonus: Download your FREE Blueprint: How to make a movie. To know how ND numbers relate to stops, read the complete guide to in-camera filters. This difference also tells an important story. Did You test Sony AF on this camera? In the first half of this episode, Scott talks with Van Bedient, Adobe’s senior business development manager, about the soon to be available group editing feature for Premiere Pro. A used FS7, or possibly an URSA Mini (with shoulder rig + Vmount battery), would suffice for quality production. Many thanks Sareesh for doing this comparison. I have collected the. Note: Sony writes the data rates as MBps which is incorrect. In addition, Face Detection intelligently recognises and locks on to human faces. However, both manufacturers have introduced new full-frame cameras, making this competition even more intense. The C500 Mark II is capable of 5.9K output in full-frame. Everyone says DPAF is so great but I would love to see real world comparision. However, there are major differences between the two. Read More. Both the Sony FX9 and Canon C500 Mark II ship with a top handle. You also have the option to opt-out of these cookies. 21. The best online film school for serious filmmakers. I’ve seen several tests that show the A9 outperforming dual-pixel autofocus cameras in many respects. The new Sony FX9 takes the FS7’s body, but turns it into an Olympic athlete in the Sony camera line. ^C-Log 2 has the highest dynamic range. According to Canon: The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. The Canon EOS C500 Mark II uses the latest technology from the EOS R-series of Canon mirrorless cameras and puts it into a professional cinema camera that has a modular style to suit lots of different uses. The Sony FX9 offers gimbal-like stabilization, as well. The lower resolution doesn’t really matter if it’s used like an LCD. It is important to draw attention to Canon’s non-operator side. With Canon EF lenses, though, you can combine electronic IS (note, it’s not mechanical IBIS like Sony alpha mirrorless cameras) with IS on the lenses, so I’d be more inclined to give this one to Canon. Amazingly, this is not mentioned in the Canon specs. So does that price compare to other digital cinema cameras? Original batteries only, from B&H. The the only camera manufacturer that has AF competing anywhere near the level of Canon is Sony. Canon and Sony have long been battling for the title of Best Mid-Tier Cinema Camera System. Personally, in case you are interested, I prefer Canon’s layout. It should be Mbps. This new feature — across both cameras — allows hand-held shot productions to get more gimbal-like shots, without all the cumbersome extra equipment. Compare the Coolpix B500 vs the Coolpix B700. My experience, as a documentary filmmaker, has tought me the the more external recorders and frankenrig stuff that is needed to make a camera work, the more points of failure, and the less functional a camera becomes in the field. ... Sony FX9 First Look with Philip Bloom. Share this article . These cookies will be stored in your browser only with your consent. Amazingly, this is not mentioned in the Canon specs. These are the cameras used in high end television and documentaries. In this article we’ll look at all the important specifications relevant to video and see which camera is the better investment for the next 2-3 years for the owner operator. If money were no object, for the best image quality, one can always opt for the Arri Amira or Red Monstro. In today’s market I think it’s wise to just listen to the wallet. The Sony workaround is not really practical. Filmmakers Philip Bloom, Nino Leitner, and Hans von Sonntag discuss the new full-frame cinema cameras – the Canon C500 Mark II and the Sony FX9. The C500 Mark II can also record in Canon RAW lite. Comparison Canon EOS C500 Mark II vs Sony PXW-FX9. S-log3 and c-log2. This was a major reason why so many productions adopted an FS7 workflow. The EOS C500 Mark II arrives with a full-frame sensor designed and built by Canon, which appears to be the same one found inside the EOS C700 FF, and this is capable of recording 5.9K video. The Sony FX9 is also a full-frame sensor camera with a 6K oversample for a final 4K output. However, the FX9 will have a future firmware update that will bring the camera up to 120fps at 4K. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Image Stabilization. Both the Sony FX9 and Canon C500 Mark II ship with an LCD. MBps or MB/s is 8 times Mbps! Internal 4:4:4 RGB 12 bit codec available for some frame rates World Camera Improved Viewfinder CFast cards New screen and handle Slow … The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are … Canon C500 Mark II vs. Sony FX9 - Panel Discussion - Philip Bloom, Hans von Sonntag, Nino Leitner - Duration: 26:45. cinema5D 18,359 views The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. There are dials there to be used by the non-operator. I am a Sony shooter, and have to say, the C500 M2 has exited me so much, I many switch systems. thanks, How about discussing the menus and their ease of use…Canon vs Sony. October 18 th, 2019. What I’ve seen in practice is, this is more of a muscle-memory thing. If your work is broadcast oriented, with multiple accessories, and you find yourself part of a multi-camera shoot most often, and genlock is important, the choice is a no brainer. Yes, the Canon is alot more exciting, but for me, Sony still is a better option. This website uses cookies to improve your experience. However, the FX9 will have a future firmware update that will bring the camera up to 120fps at 4K. With a newly developed 6K full-frame sensor (that is NOT the same as in the VENICE) and video-optimized autofocus with face and eye detection ported from the industry-leading Sony Alpha mirrorless lineup, the Sony FX9 is not just on-par with Canon’s DPAF in the C500 Mark II, but in some situations probably … You can’t wait around hoping for the firmware to drop, or you might as well just wait for all of the firmware to be updated prior to buying the FX9. Digibeta had just been phased out and the DSR-450 was the go-to Broadcast camera, with a selection of smaller Sony Cameras for B Roll. I’m also looking forward to you actually testing both, especially for low-light work and image stabilisation. Great your Canon C500 Mark II vs. Sony FX9 – Panel Discussion. Announced at IBC 2019, the FX9 is the latest XDCAM camera from Sony, featuring a newly-developed 6K Full Frame sensor and Fast Hybrid Auto Focus (AF) system. I’m not sure who would take the time out to work with Catalyst Prepare just to stabilize shots. Also the auto focus will be slow working with EF lenses. I am a Sony a7III shooter and own 3 GM zooms and soon a few GM primes as well and I love the fact that I could use all these lenses with the FX9 as well, cause it has the same mount and flange distance. The Sony FX9 is the first major video camera from Sony that brings that level of AF to video: Developed by Sony’s ? However, the stabilization has to happen in post-production, with the FX9 utilizing their Sony Catalyst Browse/Catalyst Prepare software. The two most exiting camera just announced – Canon EOS C500 Mark II and Sony PXW-FX9!

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